Useful for treating bloodloss in most cases even by crew with low medical skill. Seals bleeding wounds almost immediately and treats burns very effectively, can also be used to craft Deusizine.Ĭauses Internal Damage if skill requirement isn't met. Reducing an affliction's strength by any given amount using chemicals may not translate into that amount being restored to the character's vitality.Īn affliction's strength and its effect on vitality are two interdependent values in Barotrauma, and the latter may be scaled to vitality, which varies per Job.īasic bandages, useful in the treatment of bleeding wounds and burns, can also be used to craft Plastiseal. The values below represent affliction strength reduction, not to be mistaken with a vitality restoration. Then any medical item can be drag and dropped onto a limb or the drop circle. Some more basic chemicals, as well as regular medical items, aren't injectable and must be used through the Health GUI, pressing the "Health" keybind (H by default) on a player or themselves opens the Health GUI. There are a few exceptions (purple values below). However, regardless of the user's Medical skill, the "failure" effects (red values below) will be applied when using the Syringe Gun, and use the entire syringe in one shot. The Syringe Gun can also be used if a chemical needs to be injected from a distance. By equipping the item and then holding the "Aim" keybind ( by default) and pressing the "Shoot" keybind ( by default), the player's character will swing the syringe and inject its effects to anything it hits, Creature or human. Most medical items can be used outside of the Health GUI. Like I said though, it's a bit slow paced and doesn't have the rapid-fire wit of other movies of this age.Medical Items are comprised of different compounds and substances both helpful and harmful, that the crew can craft at a Medical Fabricator, buy, loot, or deconstruct from certain Plants. I'd say it's a must see, but a lot of that is simply because of it's classic nature. I know for my generation Orson Welles is kind of a joke since we mostly know him from the Brain or the Critic's "Fresh Green pea-ness", but this is one of those movies where you realize the charisma the guy had and his skill at making a complete monster completely charming. The cinematography is excellent across the board and a few shots are just sublime. Post-war Vienna has not become my go to "man, I should use this for a fantasy game!" idea, by the way. It's like when i'm watching Casablanca and realize those people singing back to the Nazis don't know if they're going to win the War yet or not. I didn't know this, but Vienna was split between four different nations at the time, and it was filmed there which makes a lot of the piles of rubble and broken staircases a lot more meaningful. While it is a bit slow, this is one of those movies that is absolutley fascinating due to the time it was made. The facts don't add up, and Holly begins looking in the shadows and making friends and enemies while trying to find out what really happened to his friend. Holly Martins, a writer down to his last pennies, is given a ticket to fly to post WWII Vienna to meet his friend Harry Lime.
But it is a fantastic movie if you're not exhausted. It took me a few days because, frankly, it's a 40's movie on a 40's pace. One CGI shot of the planet Earth, and the line between day and night is moving south. And then it just ends with stock NASA footage of stars. They cry and say things are beautiful, a lot. The tone is dreadfully earnest, with nothing resembling a sense of humor. And while they're serious about the science, at best it's ludicrous.
The characters aren't one-dimensional villains or cut-outs, but they're not plausible either. The whole movie is an enthusiastic and passionate love song to multiculturalism and globalism, except it's naive and tokenistic. The philosophizing is terrible, despite quoting Auguries of Innocence. There are many instances of forced spitting random rages, and laughing at inappropriate moments. The actors really throw themselves into it, but they end up overacting terribly, and the emotions they display never seem to match what's happening. But the scenes are frequently washed out, the composition's a mess, and we keep seeing distracting glitches like boom mikes in the corner of the screen (3 or 4 times!). There are government and corporate conspiracies, a cancer kid to pluck heart strings, and a really low budget.īut while there are a lot of shots of top secret government facilities that are just regular rooms with a couple props, they really work it, with fancy lighting and closeups.
Woman goes to Mars, comes back with special powers.